For three centuries, ownership of a masterpiece meant proximity to the object itself.
We have changed that.
One object. One owner. A provenance that begins in the archive and ends with you.
Imperial collection
One object. One owner.
A provenance that begins in the archive and ends with you.
documented One-of-one digital originals (no copies).
clean provenance
verified structure and autorship of the reconstruction

Investments in digital art objects establish an alternative model of ownership for cultural assets — based on museum-grade 3D reconstruction, verified uniqueness, and legally recorded ownership rights. A digital object is not a file. It is a singular artefact — one edition, no copies, with verified ownership and documented provenance.

New model of ownership
fractional ownership
full ownership
  • exclusive ownership rights to the digital object

  • single, one-of-one edition

  • full control over the object and its future use
  • shared ownership of the object

  • a fixed, documented ownership share

  • proportional value growth of the share as the object's valuation increases
Two ownership formats are available for digital art objects
Each format is based on a transparent rights structure and is recorded in the object's passport.
Investment format

Ownership rights to a digital object are confirmed through a multi-layered system combining a physical medium, digital authentication, and official documentation.
Each digital object is registered in the Tithonos provenance system — a Swiss-certified infrastructure designed for institutional-grade ownership records and long-term preservation. All ownership events are logged in a secure, verifiable registry, forming a provenance record that begins at the first day of reconstruction and follows the object through every transfer.
The owner receives official documentation confirming ownership rights, the ownership format, and a Tithonos Key-Coin — a certified physical proof of registration issued by Tithonos GmbH, Switzerland.

Each digital artifact is accompanied by a passport documenting:

  • object identification

  • ownership format (full or fractional)

  • scope and structure of ownership rights

  • ownership and transaction history

The passport ensures transparency of origin and enables long-term asset management.

Each Heredis Atelier object is accompanied by a Tithonos Key-Coin — a certified physical medium issued by Tithonos GmbH, Switzerland. The Key-Coin links the holder directly to the object's provenance record in the Tithonos Registry, where ownership history, reconstruction documentation, and transfer events are preserved for institutional-grade verification. The physical coin may be held, transferred, or passed through inheritance alongside the digital object itself.

Key-Coin — certified physical proof of ownership
Digital Object Passport
material and documented proof of ownership
The digital object becomes part of a private collection with an institutionally verified ownership history.
The investor or collector receives:
Heritage and culture — Heredis Atelier digital reconstruction studio
Digital art objects are integrated into a collecting model comparable to the classical art market.



Participation in the growth of both the cultural and investment value of the object

Documented provenance (including Tithonos-registered ownership record)

A manageable digital asset
The ability to transfer, gift, or pass the asset on through inheritance
collecting and investment logic
Museum-grade reconstruction methodology
Singularity of the object
Legally recorded ownership rights
Separation of the digital artifact from mass digital content
Fundamental distinction
Each digital object is based on a methodology used in museum and academic practice. Reconstruction is not treated as a visual interpretation, but as a research-driven process that includes the analysis of archival sources, historical descriptions, technological characteristics, and the working principles of master craftsmen.
The digital model records not the external appearance, but the structure, proportions, materials, and logic of fabrication. This approach brings the digital artifact close to a museum reconstruction and makes it suitable for archival and research use.
Each digital artifact exists as a single, one-of-one entity. The absence of editions or replication excludes mass reproduction and firmly establishes the object’s status as a unique work.

Singularity ensures:

  • collectible value
  • the ability to establish provenance
  • comparability with original works of art
The digital object is regarded as an autonomous artifact, not as a copy or an infinitely accessible file.
Ownership of a digital object is formalized through official documentation, an object passport, and registration in the Tithonos provenance system — a Swiss-certified institutional registry. This structure creates a transparent and verifiable ownership model and eliminates the uncertainty typical of most digital art formats.
The formalization of rights makes it possible to confirm ownership by a specific holder, manage the object as an asset, and transfer ownership, gift it, or include the digital object in an inheritance estate. As a result, the digital artifact acquires the status of a legally defined, manageable cultural asset.
Digital objects are fundamentally separated from the market of mass digital content and speculative digital formats. They are not reproduced, not distributed via open marketplaces, and do not function as streaming or consumable visual products.
Each object is created within a research-based, museum-grade methodology and is strictly tied to documentation, recorded provenance, and ownership rights. In this context, the digital artifact exists as a singular cultural object with a defined history, status, and institutional framework, rather than as consumable digital content.
Heredis Atelier digital artifacts are not typical NFTs and not reproducible digital art. They are registered not on open blockchain networks, but within the Tithonos institutional provenance system — a closed, certified Swiss infrastructure designed for cultural assets of lasting significance.
They are the digital equivalent of unique works of art, grounded in rigorous research, defined by singularity, supported by verified ownership rights, and established within an institutional-grade framework of documentation and provenance.
“The challenge of our time is not preservation — it is access. How do we make what survives available to those who were never in the room?”

— Neil MacGregor, former Director, British Museum
FAQ
Heredis Atelier GmbH 2025 ©
Untermüli 11 , 6300 Zug, Switzerland



Managing Director: Eva-Maria Frey
Contact: info@heredisatelier.ch
TEL: +41 76 288 28 68


Eternal mastery. Digital soul.
UID: CHE-256.568.791 HR01-1006431744 Use of this site and its content is subject to these Terms. All digital reconstructions, texts, and media are protected works. No reproduction, distribution, or derivative use without written consent.
Heredis Atelier GmbH 2025 ©
Untermüli 11 , 6300 Zug, Switzerland
Managing Director: Eva-Maria Frey
Contact: info@heredisatelier.ch
TEL: +41 76 288 28 68


Eternal mastery. Digital soul.