Part of the Imperial Fabergé eggs exists today only as archive: an inventory entry, an invoice, a photograph, a line in a letter. The object is gone, but its outline remains, assembled from records.
Resurrexit returns volume to that outline.
The exhibition brings together two bodies of work. Verein Legacy Digitalis establishes what each masterpiece was. Heredis Atelier reconstructs it in three dimensions and gives it semi-physical presence.
The visitor stands inside the resurrection of a lost heritage.
The exhibition demonstrates that digital reconstruction can be not an illustration of what was lost, but its new and refined form of presence — with provenance, documentation, and the same rigour that governs scholarly work, yet protected from loss, theft, and destruction.